000			03288cam a22004338i 4500
001			22335065
003			OSt
005			20240604064035.0
008			211206s2022 enk b 001 0 eng
010			_a 2021059281
020			_a9780367473914 _q(hardback)
020			_a9781032276441 _q(paperback)
020			_z9781003035299 _q(ebook)
040			_aDLC _beng _erda _cDLC
042			_apcc
050	0	0	_aNK1505 _b.C48 2022
082	0	0	_a745.4092 C48 2022 _223/eng/20220127
100	1		_aChestnova, Elena, _eauthor.
245	1	0	_aMaterial theories : _blocating artefacts and people in Gottfried Semper's writings / _cElena Chestnova.
263			_a2203
264		1	_aAbingdon, Oxon : _bRoutledge, _c2022.
300			_a210 pages, 24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aRoutledge research in interior design series
500			_aBased on an extended version of the research conducted for the author's Ph.D. thesis, History in Things. Gottfried Semper and Popularization of the Arts in London 1850-55.
504			_aIncludes bibliographical references and index.
505	0		_aAnalysis and experience: artefacts in archaeology and cultural history -- Speaking artefacts and reconstructions of the past -- Domestic space and the theory of decorative things -- Interiors and the education of taste -- Commodity and the Great Exhibition -- Artefacts and bodies.
520			_a"Material Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper's classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style. This book demonstrates how Semper's theories crystallized among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper's evolution: archaeology and antiquarianism, the domestic interior, print media, collections, and the embodied relationship between the designer and their work. For the first time, this book examines the construction of a design theory not only as an intellectual endeavour by also as a process of confrontation with material things. It employs recent approaches to material culture in order to show that Semper's artefact references constituted his ideas, rather than simply giving impetus to them. It will be an important investigation for academics and researchers interested in interior design history"-- _cProvided by publisher.
600	1	0	_aSemper, Gottfried, _d1803-1879 _xAesthetics.
600	1	0	_aSemper, Gottfried, _d1803-1879. _tStil in den technischen und tektonischen Künsten, oder, Praktische Äesthetik.
650		0	_aDesign _xPhilosophy.
650		0	_aMaterial culture _xPhilosophy.
776	0	8	_iOnline version: _aChestnova, Elena. _tMaterial theories _dAbingdon, Oxon : Routledge, 2022 _z9781003035299 _w(DLC) 2021059282
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK-EN _n0
999			_c6942 _d6942