000			03706cam a2200385 i 4500
001			21050608
003			OSt
005			20240325084818.0
008			190702s2020 enka b 001 0 eng
010			_a 2019028283
020			_a9780367078003 _q(hardback)
020			_a9780367078010 _q(paperback)
020			_z9780429022869 _q(ebook)
040			_aDLC _beng _cDLC _erda _dDLC
042			_apcc
050	0	0	_aCC135 _b.C42 2020
082	0	0	_a363.69 C42 2020 _223
100	1		_aChandler, Alan, _d1966- _eauthor.
245	1	4	_aThe production of heritage : _bthe politicisation of architectural conservation / _cAlan Chandler and Michela Pace.
264		1	_aLondon ; _aNew York : _bRoutledge/Taylor & Francis Group, _c2020.
300			_axv, 251 pages : _billustrations (chiefly color) ; _c26 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	2		_antroduction: heritage conservation in a neoliberal culture -- The production of heritage: philosophies of fabrication -- Place: material and the urban imaginary -- The memory of surfaces: the physical nature of visual memory and its illusion -- History and material significance: craft and a sense of place -- As found: tactics for away out of the heritage trap.
520			_a"Is heritage a given, or is it produced? Is it for all or only for some, recognized by many but defined and coveted by a few? In this important book, the authors unpack the theoretical and practical issues around the development of heritage sites, critically dissecting key conservation benchmarks such as the ICOMOS guidelines, BS 7913 and the RIBA Conservation Plan of Work to reveal the mechanics of heritage guidance, its advantages and conceptual limitations. Underpinned by an active understanding of the conservation philosophy of William Morris, the book presents five case studies from the UK, North and South America that speak about different facets of heritage value, such as urban identity, commodification, authenticity, materiality, and heritage as an intellectual and ethical framework. Heritage is never neutral, its definition is privileged yet its influence is political. Art, Landscape and Archaeology all offer examples of how the operational ideas of adjacent disciplines can influence an integrated idea of heritage conservation, and how this is communicated in order to determine significance and share in its custodianship. This book provides insights into how to identify and challenge these limitations, expanding inclusion by describing tactics for changing how people can relate to, and build on the past. Clearly written for all levels of readership within the conservation professions and community custodians of heritage buildings and places, the book provides strategies and tactics for understanding the heritage significance of materials, their fabrication, detail and use. The narratives that historic fabric contains can help shape the meaningful involvement of local people, providing a roadmap for those navigating the double-bind of using the past to underpin the future"-- _cProvided by publisher.
650		0	_aHistoric preservation _xPolitical aspects.
650		0	_aHistoric preservation _vCase studies.
700	1		_aPace, Michela, _eauthor.
776	0	8	_iOnline version: _aChandler, Alan, _tThe production of heritage _dLondon ; New York : Routledge/Taylor & Francis Group, 2020 _z9780429022869 _w(DLC) 2019028284
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK-EN _n0
999			_c6634 _d6634